In mid-February, 1000’s flocked to the opening of Black Panther, a extremely anticipated movie for a large number of causes. Essentially the most salient of those is its depiction of an African king as Marvel’s and cinematic display screen’s first culturally-affirming black superhero. In truth, Black Panther’s success is because of its emergence as a counter-narrative to painful and dysfunctional representations of black life. By normalizing the presence of black royals, diplomats, and …

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